
This article investigates the problematization between dance and writing, with the object of study being scenic dance, exemplified by records preserved in the municipal museum of the city of Bento Gonçalves. It is also proposed a reflection on the understanding of the possibilities of overflowing language from the exploration of different proposals and ways of writing in theatrical dance as an archive. In its corpus, the study exposes a set of reflections on language, dance, writing and heritage in order to present other ways of understanding about forms of inscription in writing in dance and about dance as archive.