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Articles

Vol. 2 No. 1 (2024): Revista Estud(i)os de Dança 3

The eyes of Guadiana: Movement, thought, and writing

DOI
https://doi.org/10.53072/RED202401/00207

Abstract

How can we continue and share, through writing, an experience and thought resulting from dance-movement therapy? What kind of embodied writing is movement in itself? What is embodied writing? What would writing be without a body? In Spanish, “being like Guadiana” describes something that occurs in a spaced and irregular manner, or when someone or something suddenly disappears and reappears without warning. Something that disappears, just as the body seems to disappear - from everyday life, words, thought, consciousness, dialogue – and reappears, sometimes suddenly, in case of illness, but also in love and pleasure, in gestures of care or affection, in dance. This text arises from a collaborative and co-authored work that we want to highlight. Our aim is to give a differentiated and clear space and voice to the different roles and contributions that build an investigation into dance, where thinking about and through body movement constitutes both reflective and scientific practices of research, expression, integration, and communication.

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