In this article, we aim to explore the diversity and plurality of theatrical dance in Portugal in the 21st century, highlighting the transformation of choreographic languages that parallel the evolution of contemporary dance. In this sense, we identify three guiding lines to define a creator’s choreographic language: the biographical profile and choreographic resources; the performers’ characteristics and choreographic configurations; and the thematic universe and conceptual ideas. Through a brief analysis of the career of choreographer Victor Hugo Pontes, we propose the possibility of constructing a distinctive choreographic identity that defines his works, contributing to the intangible heritage of dance in Portugal. Victor Hugo Pontes’ biographical profile is shaped by his multidisciplinary training in visual arts and theater, in addition to his later training in dance. His choreographic works, characterized by the combination of elements from dance, theater, and music, use complex scenography, expressive movements, and text adapted from literary works, creating a distinctive and recognizable language in the Portuguese contemporary dance scene. The contemporary performer assumes a central role in the materialization of the choreography, chosen for their characteristics and skills, which are essential contribution to the development of creative processes. Victor Hugo Pontes selects performers who contribute to the reality and thematic ideals of his pieces, utilizing large heterogeneous groups and distinct movement languages. This perspective values the uniqueness of each body and their interactions, seeking meaningful communication with the audience.